Welcome, to the Grand Duchy

The history of Luxembourg began on Palm Sunday, 12th April 963, when Sigfroi, Count of the Ardennes, took possession of a small castle and named it Lucilinburhuc (little fortress); it gave the name of Luxembourg to the city which grew around it. The history of Radio Luxembourg began on 29th December 1930 when a group of Frenchmen, men of vision, received Government authorisation to operate a commercial radio station in Luxembourg. This station has since led the world in commercial sound broadcasting.

Barry Alldis, Chief Announcer, British Department

Today Radio Luxembourg accepts the challenge of competition, confident of a traditional past and a healthy, robust future. The world has changed; techniques have changed in sales promotion and marketing. 

Radio Luxembourg has moved with the changing times, progressively conscious of the needs of the public it serves. It has weathered the challenge offered by commercial television, as indeed, it will weather all other challenges. There are roughly fifteen million transistor radio sets in the United Kingdom; a high proportion are in the hands of young people — people with a high spending index. This is an immense market no advertiser can afford to disregard. 

What advantages can Radio Luxembourg offer to that advertiser? To begin with, we feel, that with the vast experience of thirty years commercial broadcasting behind us, we can often advise a client and guide him in his campaign. We have even advised an agency that Radio Luxembourg would not produce satisfactory results for a particular client; a reputation for integrity has stood us in good stead over the years. Secondly, we believe the station is advantageous to a client because it is inexpensive. When we made a small increase in our rates in January 1964 we promised that there would be no further increase for two years so as to give agencies the chance of accurately planning a budget. Thirdly, in this specialised market, we can compete with and beat all other media when it comes to cost per thousand, and fourthly, we are truly National — from Land’s End to John o’ Groats, Radio Luxembourg is a household word.

A Luxembourg studio engineer setting up discs for one of the many live English programmes coming from Luxembourg
1950 FLASHBACKS 1959
The three resident disc-jockeys in Luxembourg in 1950, Peter Madren, Geoffrey Everitt and Pete Murray. Unhappily, Peter Madren died in 1964.
Tommy Trinder enjoys a joke with Keith Fordyce, Howard Williams and Barry Alldis, the resident disc-jockeys in 1959.

As a commercial radio station it is extremely difficult for us to be trendsetters, and far too often we have to be trend followers, but we are now coming to grips with the biggest problem in attracting audiences today — that of producing programmes which have a common interest to the teenager and their parents. In attempting to do this we are extending the already wide coverage open to the advertiser.

The station in the Grand Duchy of Luxembourg would be an eye-opener to millions of our listeners who obviously would not imagine that the programmes come from a palatial building which has the grandeur of a Royal Palace. On the top floor is Tele-Luxembourg, the country’s own television service. There are splendidly equipped studios, a vast record library and a magnificent concert hall. 

Beautifully laid out in a park of pine-wood trees, yet only minutes walk from the city centre, the building is a piece of history, but at the same time is utilising the most modern broadcasting techniques on a large scale, with transmissions in many European languages, The sound broadcasting transmitters at Marnach and Junglinster are constantly being modernised, and frequent improvements take place in a continuous effort to produce the best possible reception.

The Grand Duchy is only a matter of 62 miles from top to bottom, and 37 miles across at the widest part; the whole country barely covers 1,000 square miles. Its principal industry is steel, and second to this comes the income derived from Radio Luxembourg — a vital cog in the country’s wheel of commerce. 

The most impressive concert hall with the Radio Luxembourg Resident Symphony Orchestra during a live broadcast.

Radio Luxembourg has yet another unique service to offer advertisers — the most perfect merchandising, marketing, and advertising operation — by means of their outside broadcasts, a type of radio sponsorship which only Luxembourg can provide. With a top show of entertainers a tour of the country is organised. Is this expensive? Yes, it is, on the one hand but not on the other. Cost can be considerably reduced by recording two radio programmes from each night’s performance, thus halving certain production costs. A tour of thirteen main centres, therefore, produces a series of twenty-six programmes. Just part of the service which this great commercial radio organisation can provide. When Sigfroi took possession of a small castle in 963, he was unwittingly creating an unrivalled service for advertisers a thousand years later.

Recording and production facilities

Situated at 38 Hertford Street, in the same building as the Company’s London offices, are two well-equipped studios, available for the recording of all types of radio shows, other than large orchestras or programmes requiring audience participation. Orchestras of up to sixteen pieces can easily be catered for and both studios are ideal for the recording of any musical combination from a trio up to a full size dance orchestra. Expertly trained balance engineers and gram operators are available and we claim that these highly experienced personnel can provide a service second to none. Present-day recording techniques are employed, using the latest equipment manufactured by E.M.I., Philips, S.T.C. and Neumann. A modern reverberation plate has been installed, enabling any type of acoustic to be reproduced. In all there are five fully trained recording engineers on the permanent staff of Radio Luxembourg, under the capable direction of chief engineer Richard Millard. The studios are bookable seven days a week and, if necessary, twenty-four hours a day.


A special O.B. mobile unit, equipped with a ten channel mixer, is available which can easily transport recording equipment to any part of the British Isles, and on many occasions big variety type shows have been produced in major theatres and halls all over the country. This O.B. unit is completely mobile and can be made available at a few hours’ notice.


The studios and staff are available for all types of recording and on many occasions the studios have been used by companies completely unconnected with Radio Luxembourg. At all times our chief engineer is happy to give advice on a wide field of recording matters.


Speech only:Studio B£800per hour
 Studio A£1000per hour

When recording is not for use on Radio Luxembourg, an additional £2 per hour is added to the studio charges to cover the cost of tape which then becomes the property of the hirer of the studio.


Recording:Per ¼-hour programme£12100
 Per ½-hour programme£2500
Production:Per ¼-hour programme£12100
 Per ½-hour programme£2500

The production charges quoted above include such items as scripting, typing of scripts, booking of musicians, use of services of producer, editing and checking of programme, etc. It must be remembered that when Radio Luxembourg undertake a production on behalf of a client, the only thing the client has to worry about is to actually supply the copy for the commercial. When a 15- or 30-minute programme is sold to a client and it is a Radio Luxembourg production, an all-in charge is always quoted.


When a copy of a particular programme is required by a client or agency, charges are as follows:

15-minute programme£4100
30-minute programme£700

These charges include the cost of dubbing and studio time as well as cost of tape.


Should anyone wish to use the studio for the purpose of dubbing or editing, the charge is £4 per hour.


The production division under Mr Bob Brown consists of a permanent staff of producers and the necessary production secretaries. All are highly experienced in the production of commercial radio programmes, and agencies and clients may call upon their services and advice at any time.


We are at all times happy to produce test programmes for clients and agencies, and when such programmes are recorded in our London studios, no charge is made for the recording or production services. Charges, however, must of course be passed on when artists, musicians and script writers have to be paid. It is highly desirable at all times to consider several different ideas before making a final choice of any one particular programme. Our programme division is at all times happy to put up programme suggestions.